Revisions: Francis Bacon in the Act of Painting

The manner in which Bacon's paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous.

Bacon did make one clear statement about the genesis of his paintings: 'I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work ...'. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored.

Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what 'rough sketching' signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon's methodology. Photographs of paintings briefly arrested at intermediate points before completion - taken by the few visitors to the studio allowed the privilege - help to explain later stages in painting process.

Hardcover
31.5 x 25 cm
160 pages