Third Text Magazine | 161 | November 2019
Third Text has established itself as the leading international journal dedicated to the critical analysis of contemporary art in the global field.
In this issue:
- From Melling's Harem to Eviner's Harem: Displacement as Parrhesia 671-686 - Bulent Diken & Ezgi Tuncer
- Whose Digital Heritage?: Contemporary Art, 3D Printing and the Limits of Cultural Property 687-707 - Chad Elias
- Dissident Bodies: Materialising Xerographic Experimentation in Sao Paulo, 1970-1985 745-760 - Mari Rodriguez Binnie
- Ive Tabar's Political Body Art Performances 789-801 - Blaz Lukan
NIRIN: 22nd Biennale of Sydney 2020
The 22nd Biennale of Sydney is an expansive artist- and First Nations-led exhibition of contemporary art that connects local communities and global networks. Brook Andrew, one of Australia’s most distinguished...
Scarf - Tatsuo Miyajima
Designed in collaboration with local label SKARFE this limited edition scarf features the work of renowned Japanese artist Tatsuo Miyajima. It features a digital print on 100% silk chiffon scarf with...
Saltwater: Paintings of Sea Country: The Recognition of Indigenous Sea Rights: 2nd edition | Author: Buku Larrnggay Mulka Centre
"The saltwater ... here it rests in the saltwater country, but it all has names. Just like Garrngirr, just like Nadayun, just like Mumuthun, every individual’s name is a special...