Minefield | Author: Edward Colless
The Mildura Sculpture Triennial was showcasing new experimental art in Australia, dubbed 'earthworks' or 'site-specific art'. But at dawn on the first day a frontend loader ploughed up and destroyed the most provocative installation in the show--Minefield by controversial Australian artist Tim Burns--in the interests of public safety.
By mid-morning all that was left of a work that had occupied around 400 square metres of ground was furrowed scars. What had been so dangerous? This collection of essays traverses a legendary work of Australian sculpture that was scandalous, formidable yet elusive, indeed feral, and--with almost no evidence of it remaining--damned
21.5 x 13.8 cm
NIRIN: 22nd Biennale of Sydney 2020
The 22nd Biennale of Sydney is an expansive artist- and First Nations-led exhibition of contemporary art that connects local communities and global networks. Brook Andrew, one of Australia’s most distinguished...
Saltwater: Paintings of Sea Country: The Recognition of Indigenous Sea Rights: 2nd edition | Author: Buku Larrnggay Mulka Centre
"The saltwater ... here it rests in the saltwater country, but it all has names. Just like Garrngirr, just like Nadayun, just like Mumuthun, every individual’s name is a special...
Puzzle | Little Artist | 500 pieces
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The Little Artist 500 Piece Family Puzzle is comprised of colourful illustrated portraits of inspiring artists who have made a historical impact with sculpture, music, performance, or painting. This colourful and...