Abstract Art: A Global History | Author: Pepe Karmel
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Taking content as a guide to form, this important survey on abstract art breaks open the canon to make room for artists from across the globe.
Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience.
An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes - the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns - each of which has its own chapter.
A wide-ranging examination of topics - from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows - is interwoven with detailed analysis of works by established figures like Joan Miró and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.
Contributions by: Pepe Karmel
32 x 25 x 3.5cm
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