Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness | Author: Zanele Muholi
A must have monograph from a photographic virtuoso, featured in the Museum of Contemporary Art's 2020 Biennale of Sydney NIRIN exhibition.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today's global society, and - most important - to speak emphatically in response to contemporary and historical rascisms.
"I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified... To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back." Zanele Muholi
More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement.
Author: Zanele Muholi
36 x 27 x 2.5cm
Stop the Presses: Russel McPhedran’s Golden Age of Press Photography | Author: Russell McPhedran
The second half of the 20th Century was the golden age of press photography. News photographers would go out into the field with their trusty camera, a handful of film...
The Photograph as Contemporary Art | Author: Charlotte Cotton
In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it...
Body: The Photography Book | Edited by: Nathalie Herschdorfer
The body remains a battleground. Politicised, conceptualised and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of...